Her first public exhibition was in Budapest in 1928 and from then on her output was prolific and she continued working throughout the Second World War. She produced statuettes, pots, plates, wall plaques and tiled murals.
Her main themes are country folk, family life and bible stories. Her work is very varied but is characterised by flowing lines which curve sensually to evoke sentiment. One of her most significant works of religious art is the portal of the Saint Emeric Church (Szent Imre templom) of Győr (1939–1940).
Several of her ceramic murals are still visible in Budapest and other cities.